Table of Contents
Dance training helps you develop your very own unique way of moving through a combination of technique, self awareness, purposeful improvisation, and just being true to yourself.
In Indian contemporary dance, this means mixing up classical forms like Bharatanatyam, Kalarippayattu and yoga, with global techniques and incorporating all of this into your body, culture and life experiences.
Key Takeaways
- Build style through technique, self-awareness, improvisation and repetition.
- Blend Indian forms with global contemporary techniques.
- Train safely. Overuse causes most dance injuries.
- Use improvisation tasks to find authentic movement.
- Repeat, film and revise phrases to develop a signature style.
What is a Personal Movement Style in Dance?
Your personal movement style is basically how you are able to make yourself stand out when you dance – it is how you use weight, breath, rhythm, space and your emotions. Take two dancers doing the exact same 8 beats of music, one looks sharp and urgent but the other looks fluid and thoughtful.
Indian contemporary dance scholars describe it as a way of dance that takes from tradition but doesn’t let it hold you back. That is exactly the kind of freedom a personal movement style needs.
| Element of style | What it means | How it may show in your dancing |
| Weight | How you surrender to or resist gravity | Grounded drops, soft landings, powerful recoveries |
| Breath | How breathing shapes movement | Arms expanding on an inhale, a collapse on an exhale |
| Rhythm | Your relationship with beat, pause and speed | Percussive footwork, sudden stillness, off-beat accents |
| Space | How you travel and shape the stage | Tight spirals, wide pathways, low-to-high transitions |
| Expression | The emotion or idea behind the movement | Devotion, resistance, memory, joy or restlessness |
Why does Dance Training Come before Personal Style?
You need to do your training first because real freedom in dance only comes by having control. Technique gives you the strength, balance and timing to make your own choices rather than just rely on chance. Without it you would be at risk of ending up on the floor due to a clumsy fall rather than delivering a passionate performance.
A 2024 study found that 82% of modern and contemporary dancers had suffered from musculoskeletal injuries most of which were due to overstretching. However a study of young dancers found that as they learned more about technique, their injury rates dropped.
Think of technique as the ABCs – those are the building blocks you need to get started. Improvisation is how you start using them to write your own sentences. The longer you practice, the more your unique voice comes through.
How do You Build Body Awareness as a Dancer?
You build body awareness by paying attention to how you already move around before you start trying to change it. Those little habits of yours such as tending to lead with your chest or tightening up your jaw can actually be the seeds of your personal dance style.
That is why leading training spaces in India put their trainees through this order too. Attakkalari’s intensive courses begin with some relaxed breathing and yoga stretches before droning on with technique and choreography.
Observe Your Natural Habits
Spend five minutes walking, rolling, reaching, folding and pausing without judging yourself. Then ask:
- Which movements feel easiest, and which side do I favour?
- Where do I hold tension?
- Do I prefer sharp movement or continuous flow?
Train Breath and Alignment
- Inhale – open the chest and lengthen the spine
- Exhale – soften the knees and guide you toward the floor
Practise grounded feet, soft joints and easy weight shifts until they feel automatic.
Use Somatic Warm-Ups
Begin each session with
- slow mobility
- joint circles
- a body scan
- gentle rolling
Which Contemporary Dance Techniques Expand Your Movement Vocabulary?
The techniques that expand your vocabulary fastest each can give you a different way to fall, pause, spiral or travel. So you can choose rather than repeat one habit. For instance, Graham technique treats the breath pulse as the source of movement. Limón, on the other hand, builds on Doris Humphrey’s fall-and-recovery principle.
| Technique | Core idea | What it adds to your style |
| Graham | Contraction and release of the torso, driven by breath | Emotional depth and strong core-led movement |
| Limón | Fall, rebound, recovery and suspension | Fluid phrasing and a natural relationship with gravity |
| Cunningham | Movement independent of music; no single fixed “front” | Precision, clean lines and spatial clarity |
| Horton | Long extensions, strength, flexibility and balance | Sculptural shapes and full-body control |
| Release technique | Letting go of unnecessary tension | Effortless transitions and efficient movement |
| Contact improvisation | Sharing weight and responding to a partner | Listening, spontaneity and trust |
Pick one or two techniques and start practising them deeply. Then notice which movements stay in your body.
How can Indian Movement Traditions Shape Your Style?
Indian movement traditions shape your style when you use their principles, not just their poses. A mudra, a Kathak spin or a Kalarippayattu stance becomes contemporary when you ask what it means in a new context.
Bengaluru’s Attakkalari Centre for Movement Arts built its contemporary technique on principles drawn from Kalarippayattu, Bharatanatyam and yoga. Also, pioneer Astad Deboo shaped his language by blending Kathak and Kathakali.
| Tradition | Movement quality it offers | How to use it in contemporary work |
| Bharatanatyam / Odissi | Geometry, rhythm, mudras, expressive eyes | Let a classical line dissolve into a spiral or fall |
| Kathak | Spins, rhythmic footwork, sudden stops | Use footwork as percussion and spins as transitions |
| Kalarippayattu | Low centre, alertness, circular flow, jumps | Build grounded power and explosive recoveries |
| Chhau | Martial-rooted leaps and stylised movement | Add attack, urgency and dramatic shape |
| Yoga | Balance, extension, breath control, stillness | Use stillness as a striking contrast to speed |
| Folk forms | Circular pathways, community energy, celebration | Add warmth and group patterns to choreography |
Treat these forms as movement research, not just costume, and learn them from qualified teachers.
How do You Use Improvisation to Find Your Own Style?
Using improvisation to find your style isn’t about just moving freely – it is about giving yourself a specific task, a constraint or a question to work with. Turns out, constraints don’t actually stifle creativity – they end up highlighting your instinctive choices.
This approach has been a staple in Indian contemporary training for a while now, where they pair up guided phrases with structured improvisation to build up your coordination and overall expressive presence.Try these dance improvisation training prompts:
- Spend one minute just moving with one body part.
- Repeat one gesture at different speeds, sizes, and intensity levels – go for heavy, light, sharp and just sort of suspended.
- Start in a classical pose and let it just melt into floor work.
- Dance the same phrase but make it feel really heavy, really light, really sharp and really suspended.
- Follow a partner’s movement – pay close attention to their weight, breath and direction.
After each round, take a closer look at what worked for you and leave the rest behind. If it felt borrowed or just plain impressive, you can probably ditch it.
How Do You Turn Improvisation into Signature Movement Phrases?
Turning improvisation into some real signature movement is all about repeating, varying and editing those short little sequences until all you are left with are your strongest, most personal choices.
- Start by creating an eight-count phrase using a technique you’ve learned.
- Do it softly, sharply and at a real slow grind tempo – experiment with level, facing, tempo and pathway.
- Then, take a closer look at each bit of the phrase – what is not working for you? Get rid of it.
- Keep going until all that is left are those two or three choices that just feel pretty distinctly yours.
- Film it, then watch it again a week from now and see if you can spot what’s still working for you.
Your personal style might just be a certain drop, a spiralling turn or a breath-led transition – or something entirely different.
What does a 6-Month Practice Plan Look Like?
A realistic plan over the next six months typically moves from really getting to know your body to building up some technique, getting loose with improvisation, making up your own vocabulary and finally getting to performance.
If that sounds doable to you, you will probably want to do three focused sessions a week, with a bit of a break in between the intense ones. Progress really varies from person to person, so don’t worry too much about following a set schedule. Just treat these stages as a rough guide to keep you on track.
| Stage | Focus | What to practise |
| Weeks 1–4 | Body awareness | Breath, posture, walking, weight shifts, gentle mobility |
| Weeks 5–8 | Technique and floor work | Rolls, slides, contractions, releases, falls and recoveries |
| Weeks 9–12 | Rhythm and improvisation | Short phrases, tempo changes, task-based improvisation |
| Months 4–5 | Personal vocabulary | Signature phrases, Indian movement influences, partner work |
| Month 6 onward | Performance identity | Longer choreography, stage presence, feedback and revision |
How do You Develop Your Artistic Identity?
You develop your artistic identity by being clear about what you want to say, not only how you move.
Keep a dance journal of music, images and rehearsal notes, and ask what you want an audience to feel after watching you.
Common Mistakes that Slow Your Growth
- Blindly copying choreography without ever really stopping to think about why it works and what the choreographer was going for
- Being obsessed with flexibility, some fancy trick or going viral, before you have even got a handle on control and foundation
- Improvising without any framework, no way to get feedback or revision. It is just a bunch of random movement
- And doing all the wrong exercises for strength, ignoring rest times and injury prevention. It is a recipe for disaster
Conclusion
Your personal style isn’t something that just magically appears out of thin air. It is something you cultivate, over time, through classes, rehearsals and honest-to-goodness improvisation.
Train your body, pay homage to the people who have influenced you, and keep coming back to the movements that feel like your movements. The real key is consistent effort and practice – not to mention a good teacher to guide you along the way.
Frequently Asked Questions
How do I build my own movement style through dance training?
Learn core technique, observe your natural habits, improvise with clear tasks and refine the phrases that feel most like you. Repeat them over months until consistent choices emerge.
Can beginners build their own movement style?
Yes, but beginners should first focus on alignment, breath, weight transfer and basic floor work. Style develops naturally as technique and confidence grow.
Which contemporary dance techniques should I learn first?
Graham and Limón are strong starting points because they teach breath, core control and how to work with gravity. Add release technique and floor work later.
How does Kalarippayattu help contemporary dancers?
Kalarippayattu builds a low centre of gravity, alertness, flexibility and explosive power. Institutes like Attakkalari use its principles as a base for contemporary movement.
How often should I practise contemporary dance?
Three focused sessions a week is a practical starting point for most learners. Mix technique, conditioning, improvisation and rest.
How long does it take to develop a unique dance style?
Most dancers notice consistent personal choices after several months of regular training. A mature, recognisable style usually keeps evolving over years.
How can I avoid injuries while training?
Warm up, build strength and progress gradually with floor work and falls. Studies show most contemporary dance injuries come from overuse, so rest days matter.
Should I copy famous dancers to learn faster?
Learning repertoire from great dancers is useful for understanding technique and intention. Then change and personalise what you learn.





